What Is Intrumentality in New Digital Musical Devices ? a Contribution from Cognitive Linguistics & Psychology
نویسنده
چکیده
Etat de l’art en Informatique Musicale En inventant de nouveaux dispositifs de production musicale, le XX siècle nous invite à revisiter le concept d’instrument de musique. De nombreux travaux, en musicologie [1], comme en informatique musicale [4, 5, 21] décrivent l’histoire de ces évolutions, les conditions techniques de leur apparition, et les formes originales « d’instrumentalité » liées à ces nouvelles lutheries. Dans le passage de l’instrument mécanique à l’instrument électrique, électronique et, plus encore, informatique, s’est opérée une rupture des chaînes causales traditionnelles qui garantissaient la cohérence temporelle, spatiale et énergétique des interrelations geste-instrument-son. Les études portant sur cette thématique ont connu ces dernières années un essor considérable.
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Etat de l’art en Informatique Musicale En inventant de nouveaux dispositifs de production musicale, le XX siècle nous invite à revisiter le concept d’instrument de musique. De nombreux travaux, en musicologie [1], comme en informatique musicale [4, 5, 21] décrivent l’histoire de ces évolutions, les conditions techniques de leur apparition, et les formes originales « d’instrumentalité » liées à ...
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